I seek out strong examples of Pre-1970 Martin guitars from many sources. With their light build, Adirondack Spruce tops, and scalloped brace voicing, I am strongly interested in all models from the classic late 1920s through 1944 period. I like to have good sounding examples of the larger OOO and Dreadnought sizes in the postwar tapered brace voicing period of 1945 through 1948 with Adirondack Spruce tops ending for all models by late 1946 and Sitka Spruce tops being used exclusively in 1947-48. The beefier build style starting in 1948 progressing up through the mid-1960s produced some really great Dreadnoughts for Bluegrass and other heavier playing styles where volume and clarity are important. Scattered throughout the 1950s and early 1960s, but most notably in the 1952-53 period Martin used light, but strong Engelmann Spruce tops on some of their guitars. Many dealers currently mistake and misname this lighter colored top wood as Adirondack Spruce. I’ll also have smaller model sizes represented in this 1948-1969 group if they are responsive and demonstrate a lot of character in their voice.
Coming Soon: 1945 D-28, 1946 D-28, 1953 D-28 with Engelmann Spruce top.
From spring of 1946, this extra resonant and responsive consignment D-28 (95062) is one of only 425 made that year. The combination of lively medium density Brazilian rosewood back and sides, a beautifully quartered Sitka Spruce top, Steel T-bar reinforcement in a full profile neck, and the radically tapered top braces all combine to make […]More info and pictures →
Fresh from a neck reset and refret, this one-owner consignment 1940 Martin D-28 (76035) is lively and in clean condition. This D-28 is one of only 134 made in 1940 and was made late in the year, nearly into 1941. Having been stored in the family home for 25-30 years, the finished surfaces and metal […]More info and pictures →
This great sounding spring of 1935 D-18 (59589) is one of only 133 made that year and was made early enough in the year that it received the “C.F. Martin” stamp on the back of the headstock. Adirondack spruce top with medium grain width out to edge of the lower bout. Honduras mahogany back and […]More info and pictures →
Price: On Hold
This well presented consignment 1946 Martin D-18 (96240) has a lot of power to cut through in a group context, yet still retains a musical vintage warmth in the midrange and bass. The medium grain Sitka spruce top is free of cracks, but shows some dings, pick wear, and light fingernail dragging. The ebony bridge […]More info and pictures →
This consignment 1942 Martin D-28 (82509) is one of only 96 examples made during the first year of WWII. This guitar remains in a fine state of preservation, though it was clearly used for years of performance. The voice is rich and even, responding quickly to a light pick attack. The medium grain width Adirondack […]More info and pictures →
This consignment late 1940 Martin D-18 (76353) has a tone and feel that reminds me very much of some of my favorite D-18s from 1941. One of 377 D-18s made in 1940, this instrument has the stiff Adirondack spruce top, brass button Grover G-98 tuners, and steel T-bar neck reinforcement that help make most […]More info and pictures →
This consignment 1949 Martin D-28 (109997) comes to the shop in completely crack-free condition and showing moderate pick wear on the top and capo wear on the rear of the neck. The penetrating voice is very clear and strong, with a medium-low string height from a neck reset and refret for easy play. The Brazilian […]More info and pictures →
This beautiful consignment 1939 Martin D-45 (73128) comes to the shop after having been proudly owned and played for 50 years by the current owner. This guitar was made in the summer of 1939, right after the change from the older wider standard neck to the 1 11/6″ nut width. It is one of only […]More info and pictures →
This consignment 1935 Martin D-18 (59596) has had a lot of professional stage use and repairs over the years. With the recent neck reset, refret, bridge reglue, and installation of new Waverly G-98 style tuners by Alan Perlman, this guitar is once again performing efficiently and well. The voice is large and full. One of […]More info and pictures →
For many decades the vintage guitar community has looked to the 1937 D-28s for the time when Martin really found its way with guitars that were responsive, tonally complex, and forcefully loud in group settings. This guitar, serial number 66724, is and outstanding example in condition and sound, with a voice that is consistently powerful […]More info and pictures →
Price: Back to Owner