I seek out strong examples of Pre-1970 Martin guitars from many sources. With their light build, Adirondack Spruce tops, and scalloped brace voicing, I am strongly interested in all models from the classic late 1920s through 1944 period. I like to have good sounding examples of the larger OOO and Dreadnought sizes in the postwar tapered brace voicing period of 1945 through 1948 with Adirondack Spruce tops ending for all models by late 1946 and Sitka Spruce tops being used exclusively in 1947-48. The beefier build style starting in 1948 progressing up through the mid-1960s produced some really great Dreadnoughts for Bluegrass and other heavier playing styles where volume and clarity are important. Scattered throughout the 1950s and early 1960s, but most notably in the 1952-53 period Martin used light, but strong Engelmann Spruce tops on some of their guitars. Many dealers currently mistake and misname this lighter colored top wood as Adirondack Spruce. I’ll also have smaller model sizes represented in this 1948-1969 group if they are responsive and demonstrate a lot of character in their voice.
Coming Soon: 1945 D-28, 1946 D-28, 1953 D-28 with Engelmann Spruce top.
This early 1948 Martin D-28 (105204) was a big surprise in the responsiveness and huge voice that it delivers. The voice reminds me much more of a good mid-1947 tapered brace D-28 in the volume and presence. This guitar was used in dance bands and charity music performances by the original owner. As can be […]More info and pictures →
This responsive refinished 1941 Martin D-28 (83786) is very useful for playing melodies and rhythm functions with light gauge stringing. Like many 1940s era D-28s, this guitar had been used with a DeArmond soundhole pickup and the output jack hole has been plugged before the older refinish. Repaired cracks include 7 on the treble side […]More info and pictures →
_____________________________________________________________ NOTE: The highly polished surfaces of the back and sides makes outdoor photography without reflections exceedingly difficult, to say the least. _____________________________________________________________ This consignment 1935 Martin D-28 (59394) comes to the shop from the estate of a friend who purchased it over 20 years ago from a large upper midwestern electric dealer. The […]More info and pictures →
From spring of 1946, this extra resonant and responsive consignment D-28 (95062) is one of only 425 made that year. The combination of lively medium density Brazilian rosewood back and sides, a beautifully quartered Sitka Spruce top, Steel T-bar reinforcement in a full profile neck, and the radically tapered top braces all combine to make […]More info and pictures →
This lovely consignment 1955 Martin D-28 (144545) remains in marvelous original condition and the list of repairs is quite short. One of 806 D-28s made in 1955, the quality and care displayed in Martin guitars from the 1950s remained undiminished, even though the postwar boom in instrument ownership kept Martin quite busy. The fine grain […]More info and pictures →
Fresh from a neck reset and refret, this one-owner consignment 1940 Martin D-28 (76035) is lively and in clean condition. This D-28 is one of only 134 made in 1940 and was made late in the year, nearly into 1941. Having been stored in the family home for 25-30 years, the finished surfaces and metal […]More info and pictures →
The consignment early 1944 Martin D-28 (87595) has been very well cared for, though there is some evidence that it was intended for use by a stage performer. This guitar is one of only 219 scallop-voiced D-28s made by Martin in 1944. The finish is bright and clean over he entire instrument, with just a […]More info and pictures →
This wonderful sounding consignment 1940 Martin D-28 (74244) is very clean and original, except for a patch of belt buckle rash in the middle of the back. Built very early in the year, this D-28 is one of only 134 that Martin made in 1940. The medium-fine grain Adirondack spruce top is free from any […]More info and pictures →
This great sounding spring of 1935 D-18 (59589) is one of only 133 made that year and was made early enough in the year that it received the “C.F. Martin” stamp on the back of the headstock. Adirondack spruce top with medium grain width out to edge of the lower bout. Honduras mahogany back and […]More info and pictures →
This magnificent sounding consignment 1945 Martin D-28 (95083) has the same favored specifications of Adirondack spruce top and steel T-bar neck reinforcement that my all-time favorite personal postwar D-28 had, only few serial numbers away from this one. The stiff narrow grain Adirondack spruce top and radically tapered top brace voicing give this guitar a […]More info and pictures →